

Sintetic melting
2025, Author's technique , Abstract expressionism, Conceptual art
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In this series of video artworks, monumental glacial landscapes dissolve slowly within stark, lifeless brutalist architectures. These surreal environments, devoid of human presence, confront the viewer with a speculative future where natural memory collapses inside synthetic shells. The cold purity of ice meets the raw concrete of forgotten utopias, creating an unsettling tableau of environmental and existential decay.
As the glaciers melt in silence, cascading water floods abandoned structures—symbols of failed progress and human detachment. These moving images are not only poetic metaphors, but critical reflections on climate collapse, cultural amnesia, and the techno-natural hybridity explored in the Manifesto Terricola.
By situating the glaciers inside constructed ruins, the series repositions the landscape as an active, dying archive—one that resists being aestheticized, and instead haunts the viewer with its irreversible erosion. The work invites contemplation on the boundaries between the organic and the artificial, and the slow violence we inflict upon both.
- Country Spain
- Year 2025
- Styles
- Medium


Solimán López explores the convergence of art, science, and technology to address urgent questions about identity, ecology, and the digital condition. From DNA-based preservation to blockchain experiments and environmental data visualization, I create conceptual and material bridges between the biological and the virtual. Each piece is not only an artwork but a living trace of our time—designed to question, connect, and preserve.
He´s consider one international representative of new media art, ecoart, bioart and digital art with exhbitions, lectures and project in more than 30 countries.
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